I’m a costume designer whose intentions are good. Please don’t let me be misunderstood.
The costume department should always be a non-judgmental, encouraging space—where every actor, no matter the role, feels excited and supported the moment they step on set.
My creative work may live in fabric, color, and transformation—but it’s the emails, the clarity, and the tone that build trust and keep the day running smoothly. I’m highly organized and detail-driven. I’ve set up departments from scratch, taken meticulous notes from producers and production meetings, and turned them into practical systems that keep teams aligned and energized.
I believe in communication with care, documentation with precision, and, above all, listening. Because the best Costume Designers don’t just dress a character; they understand the story that is being told.
Costume wardrobe is chaos. My templates? Couture.